Three-year course

Italian/English

Course leader

Francesco Cavalli

Duration

3 years

Visual design

The meaning of a project

Learning by doing is the principle at the root of the three-year courses at Raffles Milano, a training experience that structures the mind, provides a solid technical foundation and unleashes a desire to broaden your life horizons.


Why?

Why?

To design is to transform the world, from the simplest things right up to the most complex ones. Design is not just a discipline that teaches us how to invent and improve the material side of life: it is also an ideal model that teaches us how things both great and small are bound together by invisible threads. It is the art of change, responsibility and commitment.


Course leader

course leader

Course leader

Francesco Cavalli

Creative director

Francesco Cavalli has accumulated more than twenty years of experience in the area of visual communication as a creative director and strategic designer. He lives and works in Milan, where he founded Leftloft together with Bruno Genovese, David Pasquali and Andrea Braccaloni while studying town planning at Milan Polytechnic. Since 1997, the office has designed more than 900 projects for clients in Italy and abroad. From corporate identity to publishing and event curating, he has worked for Moleskine, Documenta, FC Internazionale, Milan Triennale, Cassina, Colmar and Subito, among others. In 2009, he left Milan temporarily to open a subsidiary office in New York. Over the years, he has combined his professional work with promoting design culture through the Ministero della Grafica association and teaching at the Milan Polytechnic Faculty of Design and in other schools. In 2015, he created Luft, Leftloft’s research think tank, a workshop for brainstorming about the meaning and practice of contemporary design processes that organises multidisciplinary discussion events.


Professional opportunities

Professional opportunities

The visual designer is a creative who is also capable of co-ordinating the skills of a team specialising in a variety of disciplines. He also knows how to face, as the orchestra conductor, omplex issues at stake in institutional communications, services and products. This course enables students to acquire a methodology to use in the different phases of a project and its execution and to apply for employment as designers (in professional offices, agencies or organisations) or creative consultants for industrial or commercial firms, or – by opening an office of their own – to take the plunge as entrepreneurs of their own careers.


Who should attend

Who should attend

The course is intended for students who have a high school leaving diploma coming from either an Italian or a foreign university. Applicants will be expected to show a strong interest in design disciplines (visual, graphic, exhibition and digital design, lettering, photography and video), in social sciences (anthropology, theories of communication and mass media, sociology and semiology) and in the culture of the visual arts (art and design history). Students who attend this course are future designers of digital and analogical communication, creative directors and brand experts.


Curriculum

Curriculum

An introductory phase (First Year) is followed by an intermediate one that focuses on a case study (Second Year) and then a completion processs dedicated to the final project and portfolio (Third Year). From the groundwork of basic design to the grammar of typography, from graphic layout software programs to packaging, from motion graphics to interactive design, students learn all the disciplines related to visual design, combining techniques with technologies and their own cultural humus, so as to operate consciously in the complex scenarios of our contemporary society.


Topics

Topics

  • Graphic design.
  • Brand design.
  • Photography and video storytelling.
  • Art and design history.
  • Exhibition design and signage.
  • Digital design.
  • Interactive design.
  • Anthropology, sociology, semiology.
  • Theory of the mass media.
  • Marketing and research.

Design lecturers

Design lecturers

They are well-founded professionals, authors of projects that have made their mark, and with many years of teaching experience. They have a wide and truly international vision.
They are part of a cohesive and productive group, and they love discussing the progress of courses, the opportunities that present themselves on the run and the performance of individual students.

Luca Barcellona

Luca Barcellona

Graphic designer and calligrapher

lucabarcellona.com

A graphic designer and calligrapher, Luca Barcellona uses lettering as the main component of his creations, whose aim is to induce the manual dimension of an art as age-old as handwriting to cohabit with the languages and tools available in the digital age. In 2003, he teamed up with Rae Martini and Marco Klefisch to found the collective Rebel Ink. In 2009, he worked with the calligrapher Klaus Peter Schaffel for the National Museum in Zurich to create a faithful reproduction of a large-scale globe whose original dated back to 1569, practising his calligraphy with original materials (goose quills and natural inks). The brands that have commissioned lettering from him include Carhartt, Nike, Mondadori, Zoo York, Dolce & Gabbana, Sony BMG, Seat, Volvo, Universal and Eni. He teaches calligraphy at the Italian Calligraphy Association and holds workshops in several European cities. In 2010, he produced his own clothing line, the Luca Barcellona Gold Series. More recently, he brought out his first monographic book, Take Your Pleasure Seriously, with the publisher Lazy Dog Press, where he is also a partner.
Lucio Lazzara

Lucio Lazzara

Designer

zetalab.com

Lucio Lazzara was born in Milan, where he graduated in Architecture from Milan Polytechnic after spending several years studying at the Aalto University School of Arts, Design and Architecture in Helsinki. After a period of experimentation in the field of graphic design and communication, in 2000 he founded the Zetalab design office, where he is still an active partner today. He has taken an interest in many different facets of design work, ranging from brand design and publishing graphics to exhibition and interaction design and photography. Underlying his method is his trust in knowledge and analysis as the foundation-stones of creativity. His clients have included esterni, Mondadori, Rizzoli, Mediaset, Internazionale, Smemoranda and the Milan Triennale and he has designed communications, spaces and events for Moleskine. He has lectured at Milan Polytechnic. He is one of the founder members of the Ministero della Grafica, a very lively cultural association whose aim is to nurture and strengthen design culture.
Andrea Braccaloni

Andrea Braccaloni

Graphic designer

leftloft.com

Andrea Braccaloni studied at the Milan Polytechnic Faculty of Architecture, where he also met his future partners. In 1997, with Francesco Cavalli, Bruno Genovese and David Pasquali, he founded the Leftloft design and communication agency, in which he works as design director, type designer and expert in communication strategy and analysis. The more significant projects he has worked on closely include designing the proprietary typeface for the newspaper Corriere della Sera, the signage and typography for Milan’s San Siro stadium, rebranding Moleskine, rebranding Oscar Mondadori and subito.it, art direction and communication for the Inter FC football club and various publishing products, such as the daily sports newspaper Dieci, the newspaper Manifesto and the magazines Panorama First, ICON, Focus and Sette del Corriere della Sera. He is a professional member of Aiap, the BEDA Register, ATypl and TDC. Since 2001, in addition to his professional work he has also been teaching at Milan Polytechnic, the CFP Bauer and the IED in Milan.
Marcello Francone

Marcello Francone

Art Director

skira.net

Class of 1959, Marcello Francone studied graphic design and photography at the Monza State Institute of Art under AG Fronzoni. From Fronzoni, he acquired a very strong design approach that induced him to “investigate the substance of things, not to linger on the surface and to remove elements rather than to add them”. After his studies, he worked with Friedemann Kaltbrunner in the Contact Studio and partnered with G&R Associati and with the Anselmi Studio. In 1983, he started acquiring experience in publishing with Electa, where he was made responsible for the graphic design office in 1985 and became art director in 1988. In 1994, he started holding a course in publishing graphics for the third-year students at the Milan Academy of Communication. In 1995, he joined Skira, taking part in reviving the venerable art publisher’s fortunes, where he currently holds the position of art director. In 2005, he was Visiting Professor at the Milan Polytechnic Faculty of Design.
Luisa Milani

Luisa Milani

Graphic designer

latigre.net

After graduating in Communication Design from Milan Polytechnic in 2005, Luisa Milani started working in the Leftloft graphic design office, where she stayed for five years and where she also achieved the realisation that graphic design is a passion for her first and only then also a job of work. She then founded La Tigre in 2009, an office that has worked successfully both in Italy and internationally from the very start. Over the years, the clients she has had the opportunity to develop projects for include The New York Times, The Guardian, Wired, the Süddeutsche Zeitung, IBM, Zucchi, Bassetti, ENI, Il Sole 24 Ore and Mondadori. After several years as an assistant at Milan Polytechnic and running several workshops, she started teaching in Turin in 2015. In 2012, she was named among the Young Guns by the Art Directors Club of New York. In 2014, she redesigned the logo of The Independent. In 2015, she received an acknowledgement from the Type Directors Club of New York and in 2016 one of her designs was selected as a finalist by the SPD, the Society of Publication Designers.
Armando Milani

Armando Milani

Graphic designer

milanidesign.it

Born in Milan in 1940, Armando Milani is a leading figure on the Italian graphic and design scene. After studying at the Scuola Umanitaria under Albe Steiner, he started working with Antonio Boggeri and Giulio Confalonieri, before opening his own office in Milan in 1970. In 1977, he moved to New York, where he spent the next two years working with Massimo Vignelli, before opening his own office in that city, too, in 1979. He specialises in branding and corporate identity systems, logo, publishing, posters and websites. Since 1983 a member of the AGI Alliance Graphique Internationale, the association that brings together the world’s most authoritative graphic designers, he was elected to serve as its President in 2016. In 2004, he won an ADI Compasso d’Oro Award for a poster for the Promosedia event. In the same year, the United Nations published a poster of his promoting world peace, following it up in 2008 with the Human Design Collection. He has held courses in prestigious schools and universities in New York, Kansas City, Santo Domingo, Acapulco, Beijing, Lima, Karachi, Perugia, Milan, Naples, Santander, Brescia and Istanbul.
Ester Manitto

Ester Manitto

Designer

lineee.it

After taking her diploma in advertising graphics from the Ficiap professional school in Ovada in 1987, Ester Manitto first studied and then worked as an assistant in the AG Fronzoni school and workshop in Milan, before moving on to work with the Renzo Piano Building Workshop in Vesima in 1994-1995. She has lectured in Visual Communication at the Bovisa campus of Milan Polytechnic. In 1997, she teamed up with Angelo Core to establish the Core Progetti office. In 2012, she published the book A lezione con AG Fronzoni. Dalla didattica della progettazione alla didattica di uno stile di vita (Learning from AG Fronzoni: from teaching design to teaching a lifestyle), which was selected for inclusion in the 2013 ADI Design Index. She has taken part in holding didactic workshops at the University of Genoa Department of Physics and was responsible for organising art workshops at the Doge’s Palace, also in Genoa. In addition, she has taught and lectured in the Faculty of Architecture at the Villa Croce Museum in Genoa, discussing the work and teachings of AG Fronzoni. Her interests range from teaching and pedagogy to safeguarding the environment, land art and architectural design.
Matteo Balocco

Matteo Balocco

UX & Web designer

matteobalocco.Linkedin

After graduating in Humanities Technology in 1998, Matteo Balocco started working with Domino Interactive in Turin as a front-end specialist. In 2004, he won two Interactive Key Awards for the best front-end development with the websites for the Turin Book Fair and NoMartiniNoParty. He later worked on project management and designing interfaces for the web agency Bluestudio. In 2011, he started working with Simplicissimus Book Farm on creating a set of typographic rules for e-books and wrote a digital typography manual for Apogeo. In 2013, he was one of the people behind the conception and organization of Kerning, the first international conference held in Italy dedicated to typography for the web, and became a member of the digital products thematic committee of experts for the ADI Design Index. At the same time, he also started working with Reply and Bitmama as a user experience designer on financial technology projects. In 2015, he launched Hangar, a format for workshops in good digital communication practices, and in 2016 he became Product Manager with TOK.tv, an American digital services company.
Davide Calluori

Davide Calluori

Digital artist

b612studio.com

Born in Syracuse, in Sicily in 1978, Davide Calluori graduated in Art from the DAMS school in Bologna, then moved to Milan, where he took a diploma in Graphic Design from the Accademia di Comunicazione. He started his professional career at DLV BBDO as an art director. He then developed an interest in creating and producing images for printing. He became the manager for the post-production, 3D and illustration department. At the beginning of 2016, he teamed up with Daniele Tribi and Francesco Van Straten to establish B612Studio, a structure that works with illustration, 3D, post-production and photography. The clients he has completed projects for include Yamaha, Freddy, Cam, Rolling Stone, Wall Street Institute, Che Banca!, Bayer, Telecom, Sky and Audi. His work appeared in the 2012, 2014 and 2016 editions of the 200 Best Digital Artists Worldwide Annual Award and of the 200 Best Illustrators Worldwide Annual Award published by Lürzer’s Archive.
Stefano Fabbri

Stefano Fabbri

Illustrator

stefanofabbri.eu

After taking his diploma in 1984 at the Arte e Messaggio Civic School of Applied Arts in Milan, Stefano Fabbri spent the period from 1986 to 1987 as assistant art director to Gino Ciccognani in the Studio Nuovi Prodotti advertising agency. In the two following years, he then pursued his career as an assistant art director further in the international agency Saatchi & Saatchi. From 1989 to 2005, he worked as a visualiser and illustrator with several leading agencies, including Saatchi & Saatchi, Verba DDB, J.W. Thompson and Bates. At present, he works regularly with several publications and publishers: the newspapers and magazines Corriere della Sera, Lo Specchio della Stampa, Auto Oggi, Le Scienze, Men’s Health, Panorama, Riders, Focus and Mente&Cervello and the publishers Feltrinelli, Stampa Alternativa, Mondadori, Besa and Helblings Languages. He has co-ordinated several illustration workshops at the Brera Academy of Fine Arts in Milan. In 2005, he won the Oesterheld Award at the Romacartoon International Cartoon Festival for his graphic novel Il monile di Bengasi, whose texts were written by the author Danilo Manera.
Corrado Musmeci

Corrado Musmeci

Print expert

fontegrafica.it

Born in 1982, Corrado Musmeci graduated in Business Economics with a specialisation in Corporate Organisation, then worked on commercial and communication management with Fontegrafica, the family firm established by his father, of which he is now sole administrator. Fontegrafica has carved itself a distinctive niche on the printing scene and is now considered to be an international benchmark for typographic research and high-quality production. It has achieved this by accumulating specific experience in executing projects for the luxury, fashion and design sectors. Corrado Musmeci is very active in professional printing circles: he is a member of the Board of Directors of the ITS Rizzoli Institute and Vice-President of the Milan Industrial Graphics Union and has lectured in university Masters courses in Milan. He never passes up an opportunity to support and promote the culture of printed communication, partnering with institutions, schools, influencers and brands.
Giovanni Pelloso

Giovanni Pelloso

Historian and photography critic

giovannipelloso.Linkedin

A journalist and photography critic who writes for the ViviMilanosupplement to the leading national daily newspaper Corriere della Sera, Giovanni Pelloso has worked on publishing projects with Mondadori Portfolio (he was the author of the piece dedicated to Mario De Biasi, Giorgio Lotti and Angelo Cozzi), with Hachette and with Canon Italia. A co-author of the Dizionario mondiale della fotografia (Rizzoli/Contrasto, 2002), he is a contributor to the monthly magazines NPhotography and Photo Professional and is editor in chief of the long-established magazine Il Fotografo. He has held workshops and seminars about photography at the Suor Orsola Benincasa University in Naples, the Istituto Italiano di Fotografia and the Contrasto agency. His research interests focus on the theory and practice of the sociology of consumption and of advertising. Working as a contract lecturer, he has been teaching and conducting research since 2005 at the Faculty of Communication Sciences and of Entertainment at the IULM University in Milan. He has been lecturing in photography at the LAO since 2013 and is an associate researcher at the Milan Civic Aquarium.
Lia Luzzatto

Lia Luzzatto

Color consultant

color-and-colors.it

After graduating with full marks from the Brera Academy of Fine Arts in Milan, Lia Luzzatto continued her studies, exploring the fields of fashion and specialising in hardcopy and digital chromatic communication. She now works as a colour consultant in many fields, writes books, takes part in seminars and teaches. Because of its symbolic, communicative, psychological and sensory complexity, colour is a vital resource in every visual context. Lia Luzzatto lectures in Colour Theory at the Academy of Communication and the Luxury Lab in the Academy of Luxury in Milan. Writing together with Renata Pompas, whom she met attending Luigi Veronesi’s lectures in chromatology at the Academy, she has published numerous books about colour that are constantly going through reprints for publishers including Hoepli, Il Castello and Bompiani. She is a founder member of the Italian Colour Association’s Colour Group and is a member of its Presidency Council and Scientific Committee. Previously a member of the CISST – Italian Centre for Studying the History of Fabrics – and of ADI, she is currently a member of the ECD Environmental Colour Design of Buenos Aires and of the Stockholm-based Colour Study Group.
Chiara Grandesso

Chiara Grandesso

Graphic designer

helvetika.it

After taking her diploma at the Accademia di Comunicazione in Milan, Chiara Grandesso went on to take a Masters in Communication in Art & Design at the Royal College of Art in London. She then won a scholarship to continue pursuing her research at the Kyoto City University of Arts in Japan. Once back in Europe, she won the Parallel Prize and was subsequently invited by Philippe Starck to start working with him in his Paris office. Although she maintained a partnership with the office upon returning to Italy after this experience, she also started doing graphic design work on her own initiative. She has received acknowledgments from both the ADCI and the Padua municipal council Culture Department.
Luigi Ciuffreda

Luigi Ciuffreda

Architect

luigiciuffreda.Linkedin

Born in 1981, Luigi Ciuffreda studied architecture and design at the École Supérieure d’Art et de Design in Orleans and at Milan Polytechnic, where he graduated in 2006 with a specialisation in museography and exhibition design for cultural heritage. From 2005 to 2007, he worked as an expert in the subject in the Interior Design workshops at the Milan Polytechnic Faculty of Design and, from 2013 to 2017, he lectured in design and exhibition design at the Milan Academy of Communication. He now operates in a variety of permutations of the field of design: product design, retail design, interior architecture an exhibition design. His more notable recent projects include the museographical design at the Lapidary Museum of Monte Sant’Angelo and the signage for the new NAS Arena stadium in Dubai. Since 2006, he has been a consultant with Buratti Architects, where he has collaborated on projects for B&B Italia, Fontana Arte, Living Divani, Poliform, Poltrona Frau, Porro, Tecno, Lamborghini, Ducati, Husqvarna, La Perla and Gebrüder Thonet of Vienna. Along with his professional activities, he devotes some of his time to personal research into illustration and graphic design.
Roberta Maddaloni

Roberta Maddaloni

Executive coach

robertamaddaloni.Linkedin

From 2001 to 2014, Roberta Maddaloni was a project co-ordinator in Mida. She continued her studies after her degree in psychology from the University of Parma in 2013 by completing an advanced training course in counselling at the European Academy in Florence in the next year. She has worked as a training consultant with Doctors&doula, TrasformAzione, CFA and Execo – The Human Side and she is a professional counselor accredited with the CNCP – Italian National Professional Counsellors’ Association. An expert in storytelling applied to professional contexts, she uses transactional analysis as a tool for training and her consultancy work. She designs and conducts training plans for developing the potential and definition of action plans and provides tools for triggering and implementing significant changes aimed towards achieving individual and corporate well-being. The issues she primarily works with are change as opportunity, implementing motivation, the effectiveness of relations, emotional intelligence, effective communication, negotiation, processes of orientation and the balance of skills.
Emanuele Baj Rossi

Emanuele Baj Rossi

Executive coach

emanuelebajrossi.Linkedin

Emanuele Baj Rossi joined Cegos in 2007 as an expert consultant and has remained there ever since, now working in human resources and general management. After graduating in education and training sciences from Milan’s Università Cattolica in 2008, he went on to take a Masters in systemic neuro-linguistic programming. A trainer and executive coach, he has developed on issues of adult education and curated a programme to develop on models of leadership in multinational organisations. A certified FranklinCovey lecturer, his areas of expertise are designing and providing training courses in fields of behaviour (communication, public speaking, problem-solving and time management), management (leadership and the fundamentals of management) and the FranklinCovey method (The 7 Habits of Highly Effective People). In 2014, he was interviewed by Italy’s leading daily Corriere della Sera about how important it is for women to say “no” at work. In 2017, he published the book Obiettivi solidi in una società liquida (Solid aims in a liquid society).
Massimiliano Pappalardo

Massimiliano Pappalardo

Executive coach

massimilianopappalardo.Linkedin

After graduating in philosophy, Massimiliano Pappalardo took a Masters in management control and started his career with Auchan, becoming a branch manager. He later directed Milan Polytechnic’s Città Studi university campus, then the campus of the San Raffaele Vita-Salute (Life and Health) University, working in close contact with Don Luigi Verzé. He has worked with the Italian singer Carmen Consoli on the lyrics of several songs, especially for her album L’eccezione (2002). A philosopher, trainer, counselor and life coach, he has written many articles on blogs and websites covering philosophy, current affairs and literature and has a long-standing partnership with the Giorgio Gaber Foundation, promoting its thinking in both universities and schools. He has founded several magazines, including Un sorso in più with Carmen Consoli. A scholar and promoter of the culture of change in business and of the focal importance of the individual in corporate organisations, he has been taking an interest in mindfulness, resonant leadership, habits and responsibility.
Gianfranco Mele

Gianfranco Mele

Executive coach

gianfrancomele.Linkedin

Gianfranco Mele graduated in economics and commerce, accounting and finance from the University of Turin and has worked with Costa Crociere, Baker Tilly Consulaudit and Nexto. He is a qualified public accountant, belongs to the Turin Board of Certified Public Accountants and is a legal auditor with an office in Turin. He has worked as an expert in the subject of planning and control at the Asti campus of the University of Turin. Along with his work as a traditional tax advisor, he now also does management consultancy in the fields of corporate organisation, management control, reporting and corporate finance and financial auditing. His clients include several leading Italian firms and multinationals. Since December 2011, he has been the only certified Italian lecturer in finance with the BMW Group. He also lectures in economics, finance & control and taxation at the ISTUD Foundation, one of Italy’s most prestigious business schools. His students appreciate his ability to explain the intricacies of balance sheets and corporate management clearly and effectively.
Angelo Ferrara

Angelo Ferrara

Corporate branding Creative director

robilant.it

After spending a considerable amount of time building up useful experience in branding with Wolff Olins in London, where he spent 15 years and more, Angelo Ferrara took over responsibility for strategic and creative management in the Corporate Branding area at Robilant Associates, where he became a partner in 2012. He has a rare talent for crystallising design and strategy, which has led him to develop and manage branding projects for such clients as Alitalia, FCA, Italcementi Group, Ferrari Trento, Expo 2015, Mondadori, Indesit, Ariston, Edison, Luxottica, SunGlass Hut and Shiseido. He represented Italy at Mediterranean European Design 1994 with a brand documentary promoting tourism on the Portuguese island of Madeira and won the Best Promotional Video Awards for four years running. He has worked with several universities and schools, including the IED in Milan, the ISCTE Business School in Lisbon and the British Higher School of Art & Design in Moscow. Now heading up the Corporate Social Responsibility activities at Robilant Associates, he is also responsible for the pro-bono projects that the partnership runs every year as an integral part of its activities.
Giuseppe Ardrizzo

Giuseppe Ardrizzo

Epistemologist


After working in the publishing industry for a series of different publishers, Giuseppe Ardrizzo started teaching as a lecturer in the Theory of Knowledge. He was responsible for scientific research at the Majise CIES School of Advanced Studies in the University of Calabria until 2009. He has lectured and held seminars in the universities of Bergamo, Forlì, Chieti, Palermo, Potenza, and Urbino. A member of the New York Academy of Science and of several national scientific committees, he contributed to the publication of Ragioni di confinePrecorsi dell’innovazione (Il Mulino, 2002), Governare l’innovazione (Rubbettino, 2003) and L’esilio del tempo (Meltemi, 2003) and has authored numerous essays, including Perspective and Metrics of Time, in Claudio Rossi, Tempos in Science and Nature, Annals of the N. Y. Academy of Science, 1999, New Epistemologies in a Changing Media Environment, in Pier Cesare Rivoltella (ed.) Digital Literacy (New York, 2008), Innovare lo sguardo, in News IH (Siena, 2008) and Appunti per il Terzo millennio (Retecamere, 2012).

Firms

In nearly thirty years of work, the Raffles Group has built up a substantial network of partners that participate in our three-year and Masters courses. These firms’ reputations and the quality of the relationships e have developed with them are a guarantee of a decidedly fertile meeting between education and business.

Adidas, Aigner, B&O - Bang & Olufsen, Boucheron, Brother, Bulgari, Burberry, C&A, Cartier, Chanel, Chloé, Design Business Chamber Singapore, Diesel, Dior, Dolce & Gabbana, Dunhill, Elle, Fendi, Fujifilm, Furniture Design Award Singapore, Giorgio Armani, H&M, Heinz, Hermes, Hogan, HP Technology, HSBC – Hong Kong and Shanghai Banking Corporation, IKEA, InterContinental Hotels & Resorts, Kohler, Lear Corporation, Lego, Li & Fung, L'Oréal, Louis Vuitton, LVMH, Mahogany, Max Mara, MediaCorp, Metro, Michael Kors, Microsoft, Nippon Paint, Nokia, Orchard Road Business Association, Pepsi, Philips, Prada, Puma, Ralph Lauren, Redworks, Richemont, Richmond, Rolex, Saatchi & Saatchi, Saint Laurent Paris, Samsung, Shiseido, Siemens, Singapore Furniture Industries Council, Singapore Jewellers Association, Sony Pictures, Standard Chartered, Textile & Fashion Federation, Tiffany & Co., Valentino, Versace, Y&R, Yves Saint Laurent.


Monday Talks

Monday talk

Every Monday evening at 6.00 p.m., Raffles Milano invites its students to meet one of the major personalities who walk the stage of design, style and design culture. Hearing the stories and ideas that influence the market and drive our mindset – straight from the horse’s mouth – is an amazing opportunity that adds substance to our academic programmes. Here is the agenda of meetings for the coming year.